“Wish World” does not deviate from this pattern. There is so much going on in this episode – we have to get to grips with an entirely new alternate reality, and our familiar characters’ new roles within it. We have the two Ranis, another new member of the Pantheon (a “terrifying” mystical baby with the power to grant wishes), Shirley’s ragtag crew of dispossessed freedom fighters, shots at reactionary conservatism, ableism, homophobia and tradwife aesthetics. The Seal of Rassilon is there. And then the climactic revelation that all this is merely a means to an end, as the Rani’s (Ranis’?) true objective becomes clear – to burrow beneath the surface of reality and find Omega, an all-powerful figure from ancient Time Lord history.
It would be overstating it to say that the episode falls apart round about the time that Rani Prime (Archie Panjabi, having great fun chewing the appropriate quantity of scenery) starts monologuing to a confused Doctor about her dastardly scheme, but it’s where the cracks really start to show. It’s not the most elegant exposition that Davies has ever written, even if he does hang a cheeky lampshade on it by having the Rani explicitly refer to it as such, and making it part of her scheme. Steven Moffat tended to excel at these sorts of whirling expository scenes where everything falls into place, whereas here it very much feels like a rushed info dump connecting a bunch of disparate elements that haven’t all been adequately set up.
It’s also here that the structure of ‘lots of ideas carried along with manic energy and high production values’ really creaks. Spending time in the wish world is great fun, with all the joys of mirror universe style stories, seeing everybody forced into perversely inappropriate roles and trying to work out exactly how this world works – or doesn’t work, as the case may be. There are lots of little grace notes, like Colonel Ibrahim’s horrified reaction when the Doctor unthinkingly reassures him that he’s “a beautiful man”, or the fascinating scene between Conrad and Mrs Flood, showing us the strain that keeping the wish alive is having on Conrad, and his uneasy relationship with the creepily chuckling god baby.
But then the Rani starts monologuing, and it’s revealed that all of this – two years of Mrs Flood hints, the Pantheon, Conrad, the vindicators, the destruction of Earth, the wish world – is in service of reaching back into the dim and distant past of Gallifrey and finding an ancient Time Lord. A character who, if memory serves, hasn’t appeared on TV since the 1980s, apart from a blink-and-you-miss-it cameo in 2020’s “The Timeless Children”.
It’s impossible to properly judge this reveal until we’ve seen next week’s “The Reality War”, but based on first impressions, it’s hard to feel terribly excited about the return of Omega. For an episode that’s generally so weird and spiky, and full of wonderfully unsettling imagery (like the baby’s mother gently collapsing into a pile of flowers), finding out that it’s all building towards the reveal of a figure who really belongs in the Wilderness Years does feel a tad anticlimactic. More than that, it feels fundamentally backwards-looking, which is a bizarre thing to be saying in a review of an episode that features a giggling god baby who grants wishes. Terrifying god babies that grant wishes are not something we’ve explored much in Doctor Who, whereas ancient Time Lord history really feels like it’s been done to death.
Of course, it could all be a feint. Perhaps the twist will be that it was about the terrifying god baby all along, and Omega will remain in the dustbin of history. But, as with last season’s reveal of Sutekh, it almost feels as though Russell T Davies – who was so careful with how he rationed out classic series characters and references during his first run – is making up for lost time by playing with as much Doctor Who lore as he can get his hands on while he has the budget to visualise it, whether it’s the most dramatically compelling choice or not. And it contributes to the uneasy feeling that, while there are plenty of new ideas being introduced in this era, the inexorable gravity of Doctor Who’s mythos is always going to overpower them, so even something as bananas as a wish-granting god baby ultimately plays second fiddle.
