Fucktoys is a Timely Critique of Capitalism with a Grindhouse Spirit
Playing like the kinkier granddaughter of Russ Meyers’ Faster, Pussycat! Kill! Kill!, Annapurna Sriram’s Fucktoys has an axe to grind, and then some. At its core, this is a critique of modern capitalism that feels increasingly relevant, arriving in a time when billionaires are forcing the middle and lower-middle class
SXSW Film Festival 2025: Fu*cktoys, $Positions, Idiotka | Festivals & Awards
Annapurna Sriram’s feature debut “Fu*cktoys,” about a sex worker earning a living while undoing a curse, is farce, psychodrama, theological inquiry, softcore, satire, and tragedy, all at the same time. And in an era when nearly everyone has gone digital, it’s been shot on 16mm color film by Cory Fraiman-Lott
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